Drop100721 – A cup of light

New “Drop” recorded and added in my FM Gri Soundcloud page.

Sound equipment: electric guitar, Boss RC-505, Super Ego+, Ocean Machine, OP1.
All recorded dawless on a Tascam Model 12 except for the mastering process.

KS52 Available Now

Marco Giambrone “The limit of the sky” is now available in store in digital format.

Listen and buy here

It’s a pleasure to continue the series of publications with the EP of the Italian musician Marco Giambrone. The first time I listened to ‘The limit of the sky’ his music immediately reminded me of the amazing sountracks of some of Inarritu’s movies. It’s an honour to present in the catalogue such a beautiful and intense work. 
About the album Marco says: 
“this work was born to collect some improvisations recorded over the last five years. In the moments of pause from my Silent Carnival project, I used to abandon myself into improvisations based almost exclusively on the use of the guitar. The sonic flow, free from song form, often took me to unexpected places, where I tried to combine the raw sound of distortions with the long, circular resonances of reverbs. 
If I had to describe this record, I would bring the image of me playing behind a window and I try to translate everything I see and the sensations I feel into sound.” 

Thanks

KSND

Drop020621 – Together

A new “Drop” recorded dawless except for the mastering process.

Sound equipment: electric piano, classic guitar, OP1, Boss RC-505, ebow.
All recorded on a Tascam Model 12.

KS51 Available Now

Wil Bolton “Sumida Colours” is now available in store in digital format and cd.

Listen and buy here

It’s an honour to present for the first time in the catalogue an artist I admire, Wil Bolton. I never thought that over the years I would introduce so many valuable musicians and this gives me deep gratitude for what is my greatest passion, music. 
Sumida Colors is the new work of the profiled London based artist, a nomadic soul that perfectly represents the range of sound colors that I intend to propose in the future. 
About the album Wil says: “Sumida Colours is centred around environmental recordings, a toy glockenspiel, bells and furin (wind chimes), all collected during a stay in Sumida-ku, Tokyo, the birthplace of Hokusai. 
The title track began by assigning six colours from the palette of Hokusai’s woodblock print ‘The Great Wave off Kanagawa’ to six notes of a musical scale. I then walked the streets of Sumida, taking a photograph each time I saw one of these colours in the details and textures of everyday scenery, and created a musical score from the order in which these colours appeared. “
I sincerely thank Wil for this beautiful gift and all those who will appreciate a work of refined beauty.

Thanks

KSND

Drop080521 – Mended

Recorded dawless except for the mastering process.

Sound equipment: fostex x18, tape loop cassette, electric piano, op1.
All recorded on a Tascam Model 12.

KS50 Available Now

Ishmael Cormack “Fennec” is now available in store in digital format.

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It’s a pleasure to have for the second time in the catalogue Ishmael Cormack who perfectly represents the sound line that I’m looking at for the future. 
Ishmael is a gentle soul and all of his works are little gems of pureness and minimalism. 
About the album he says: “This work is the result of my interest in Glet Masa’s artwork & my obsession with the word Fennec. It’s a simple work, in which I have tried to honour little moments.” 
Thanks to all who will enter into his world. Dedicated to all the fans of Federico Durand and 12k in general.

Thanks

KSND

KS49 Available Now

Benjamin Finger “Auditory Colors” is now available in store in digital format and cd.

Listen and buy here

Synesthesia is a sensorial-perceptive phenomenon in which certain stimuli evoke sensations of a different nature from that normally experienced: it is possible, for example, to “see” a sound or “feel” a colour. For example, a synaesthetic person can hear sounds while simultaneously seeing coloured lights or numbers projected into the surrounding space. As a result, music becomes an experience that is not only auditory but also visual, while certain words can be endowed with a flavor and letters and numbers are always associated with certain colours. With these concepts Benjamin Finger composed the album Auditory Colors thus creating a kaledoscopicalbum where sounds and colours give the listener a unique and personal sensory experience. An album to listen to in total connection with your soul. Benjamin Finger is a Norwegian artist based in Oslo, he has released with many labels including Eilean Records Karlrecords and Time Released Sound.

Thanks

KSND

KS48 Available Now

Francesco Maria Narcisi “Voluta” is now available in store in digital format and cd.

Listen and buy here

Voluta is the third solo album by Francesco Maria Narcisi which proposes a suggestive work that combines the modern sounds of the ambient with baroque music, where the notes of the harpsichord mix with electro-acoustic patterns and textures, transporting the listener to a gothic cathedral. Sound architectures that I loved from the first moment and I consider it his masterpiece so far. 
Francesco Maria Narcisi is an architect and musician with many influences from electronic, ambient, electroacoustic and abstract music who explores noise, the manipulation of soundscapes and acoustic instruments and the relationship that involves music and arts. He released for Time Released Sound and Unknown Tones.

Thanks

KSND

KS47 Available Now

That Which Is Not “The Basic Sharpness Of Emotions” is now available in store in digital format and cd.

Listen and buy here

Whenever winter arrives, I am always amazed by the beauty of the colours that the sky can create. I will never tire of looking at the infinite beauty of nature; colours and emotions that I love to associate with sounds of a certain type. 
That’s why I really want to present some albums during this season.The first release of 2021 describes in an excellent way the tonal range of this winter, so uncertain, cold and melancholic. That Which Is Not is a beautiful project that combines the sound experiments of Nicola Fornasari (Xu, La Petite Vague, etc) and the instrumental ramifications of Pier Giorgio Storti (Morose, Belaqua Shua, etc) who, with notes of cello and many other instruments, adds nuances to a rich picture of pulsating introspection. “The basic sharpness of emotions” is genreless music, the soundtrack of those timeless winter days, when the snow and the ground are still unknown but are aware they have already met millions of times. A debut that I strongly advise you to listen to in solitude …

Thanks

KSND

KS43 Available Now

Pawel Pruski “Between” is now available in store in digital format and cd.

Listen and buy here

Dear all 
I hope you and your families are well, hoping the worst has passed away. 
We have lived through difficult months and I think all of us have had the time to re-evaluate our livesthinking about what is really important and what not. Digitalism won against everything, we have the opportunity to make a make a better world, cleaner and peaceful. 
In the end we are a little grain of sand in comparison to nature, maybe it’s the time to take a step backward and think less about our ego. Krysalisound is always sensible about these matters and I think after this new season something will change for the label. 
In the meantime it’s a pleasure to start September, one of my favourite months because it signs the end of the hot Italian summer, with such a beautiful album. “Between” is the new work of Pawel Pruski, an amazing Polish artist. His electronic music is gentle and soft, the perfect soundtrack for starting the new season! Thanks from the heart for your attention. 

Between. It is interesting to look for what lies between the words, between the moments, between the first and the next particle of sound. There is a completely different picture of music. Its structure is no longer linear and the whole thing is freezing over time. There is no earlier and no later, there is no history and no future, there is no cause and effect. There is only a single moment levitating “in between”.  We don’t need any kind of language or descriptions. “Between” is just a set of these moments.

Thanks

KSND