April reviews

Francesco Maria Narcisi “Voluta” in Ondarock

That Which Is Not “The basic sharpness of emotions” in EtherREAL

Pawel Pruski “Between” in Chain D.L.K.

Ishmael Cormack “Fennec” in The Echo Room and Chill Music

Andrea Laudante “Banat Banat Ban Jai” in Ver Sacrum

March reviews

That Which Is Not “The basic sharpness of emotions” in Freq

That Which Is Not “The basic sharpness of emotions” & Benjamin Finger “Auditory Colors” in Battiti

Benjamin Finger “Auditory Colors” in Fluid Radio

Benjamin Finger “Auditory Colors” in SilenceAndSound

February reviews

That Which Is Not “The basic sharpness of emotions” in Triste

That Which Is Not “The basic sharpness of emotions” in Ondarock

That Which Is Not “The basic sharpness of emotions” in Igloo Magazine

That Which Is Not “The basic sharpness of emotions” in Impatto Sonoro

Benjamin Finger “Auditory Colors” in Live Eye TV

Benjamin Finger “Auditory Colors” in SonOfMarketing

Benjamin Finger “Auditory Colors” in No-Wave

January reviews

Grotta Veterano “Luung” in SoWhat

Francis M. Gri “The Ropes” (Slowcraft Records) in Ondarock

That Which Is Not “The basic sharpness of emotions” in Blog Ground

That Which Is Not “The basic sharpness of emotions” in Music Won’t Save You

That Which Is Not “The basic sharpness of emotions” in Electronic Therapy

Last bunch of reviews

Thank you very much everyone who supported KrysaliSound in this difficult 2020.
Below the last articles, capsules, podcasts of the year:

IGLOO MAGAZINE: Between, Luung, Tenue:

SIDE-LINE: Between:


POST AMBIENT LUX, best ambient of 2020: Between

RADIOAKTIV: Cull/Machine Choir

Whitelabrecs / Slowcraft / La Petite Chambre / KrysaliSound – Digital Isolation. — Drifting, Almost Falling.


With the onset of the Corona Virus pandemic changes occurred in the underground music scene. From moving to largely Digital releases through to the Bandcamp revenue initiatives, arguably more music was released due to the nature of isolation and lock down. It has become quite difficult to keep up to speed with all these releases, […]

Whitelabrecs / Slowcraft / La Petite Chambre / KrysaliSound – Digital Isolation. — Drifting, Almost Falling.

“Ammil” and “Boke” in Drifting, Almost Falling.


The world is a blur especially the musical one. Releases come at a rapid rate that not all can be processed in time for their release dates. As I try to balance the older and newer releases, here are some released in February which I cast a brief look over. “Ammil” started as […]

The Catch Up. — Drifting, Almost Falling.

“Boke” in Fluid Radio

Having recently lost a close family member to Alzheimer’s related illnesses, I can partially sympathise and empathise with how Francis M. Gri, owner of Krysalisound label, feels with this neat new record. Boke means “Blur”, and is made to represent memory disorders and the time it takes for an image to do just that. Gri calls it “the memory illness” – it’s always dementia, Alzheimer’s or some such. Great novelist Terry Pratchett was taken from us by the latter; many its link. 

On with the record itself, and this uses repetition as a narrative device. Give ’em a few rounds, then hit ’em with the boomerang. It catches us unawares. Succinctly peaceful, the album is so decent it dispenses with nom de plume’s such as “beautiful art” – I don’t want to wax insincerely about a delicate subject that has affected so many, and is being shown to put pay to Covid figures among others. What does one do when the memory is ready to pack up? Francis communicates the point well in some of my investigative email questions: “you transform in an empty box…we ARE memories it’s undeniable!”

It is like that – life is a blur, because the present is at best a memory, since memories are about dream or goal meeting, and fantasy becomes secondary. Memory loss is rife with grief, and that is presented emotionally on “Boke”. Especially that track, which closes the record. The music sounds like it comes from a very faraway place. A bit like Bvdub’s, and his recent record “Ten Times The World Lied” on Glacial Movements, of similar ilk. Directionally but not genre wise, the sombre feel of Massive Attack tracks with Tracey Thorn and the like. Those have a similar emotional trippy poignancy to them. 

In its palette spectrum, much ground is covered, painting in cool blues, treading miles upon miles in a dead body’s shoes. That lifting of a classically trained surfeit, Francis working with many musicians over the years, now producing his own material most of all, has never sounded so comforting in my own rough time with with coming to terms. I can tell you now, “Boke” is destined to be a quiet memory in the back of your mind for years to come. It, like a blur, will wait for you.

Link here

“Ammil” in SoWhat


[KrysaliSound] Delicate stille di crepitante suono che ridisegnano i tratti della meraviglia della natura. È un inno alla semplicità che nasce dalla complessità il percorso che segna il debutto di Ishmael Cormack, una gentile escursione tra luminosi bozzetti armonici che riverberano in un vivido universo sospeso nel tempo. Catturate all’interno di un’antica chiesa del Somerset, […]

Ishmael Cormack “Ammil” — SoWhat