Some listeners could find some similarities (particularly in the way the voice got often recorded) against some bands belonging to the old-fashioned branch of ethereal wave or medieval-folk, other ones could match some moments of this recording to other possible similar sonorities such as the early outputs by Brian Eno (particularly his well-known album “Neroli”) or Beaumont Hannant, but the strictest relation of this new bicephalous project by Milan-based Italian musician Francis M.Gri, whose transition from quite cliched dark style of All My Faith Lost (the musical nubbin of his youth) to a more personal, more pensive and somehow brighter one could be considered already completed, and talented singer Lilium is the one with Revglow, their previous project. I wouldn’t say Lyef is entirely beatless, as a sense of movement is sometimes rendered by occasional slow piano stroking, but traditional percussions or rhythmical patterns have been removed. In spite of the rarefaction of their sound, I wouldn’t either label it as minimalistic as Francis didn’t skimp on aural items, as many field recordings and diluted sounds mantled the trilling voice coming out of Lilium’s uvula, which sometimes becomes an accomplice in spreading soothing sonic balms like her subtle invitation to silence or imitations of delicate air breezes in “Air”. I prefer the moments when Lilium’s voice and Francis’ sonic handling sounds more balanced such as on “Iron Trees” or “Unbrace” (particularly in the second lulling part), but the other tracks are interesting as well, particularly the enchanting fade-in of Lilium’s voice in “Fire” and her sort of dream nursing in the initial suites “Water” and “Paper”. A possible enhancer for your oneiric activity.